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Now that it does, studios can and in some cases already are processing old classics into beautiful digital 4K format. Given that 4K has been around as a video shooting capability for several years even in digital, the lack of content seems odd. If 8K really becomes the de facto standard for television in the developed world, then both 35mm film and digital 4K originals are in serious trouble for they cannot keep up. Super35 holds about 3K of information in the real world — not some ideal circumstances lab test fabricated by Kodak — 35mm will top out at about 4K and 65mm will hold about 8K. I have two 4K monitors and p looks pretty damn good on them and will continue to in the future. Older movies like Godzilla could see a major position in 4K reprocessing. According to Kane, who is also a former chair of the SMPTE Working Group on Professional and Studio Monitors, the post production community has been filming many of their movies in real Cinema Grade X pixel resolution and then simply downsizing it to a much smaller 2K format for archiving without bothering to save the original real 4K footage simply because they were….

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I have two 4K monitors and p looks pretty damn good on them and will continue to in the future. Nobody was producing movies in digital 4K 20 years ago.

Technology is catching up. No, this is all wrong.

According to Kane, 496×2160 is also a former chair of the SMPTE Working Group on Professional and Studio Monitors, the post production community has been filming many of their movies in real Cinema Grade X sta resolution and then simply downsizing it to a much smaller 2K format for archiving without bothering to save the original real 4K footage simply because they were….

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Eastman Sfar released some of the first film scanners that were able to scan at x resolution all the way back in and the first movie to be processed in 4K was actually Snow White and the Seven Dwarfs all the way back in If 8K really becomes the de facto standard for television in the developed world, then both 35mm film and digital 4K originals are in serious trouble for they cannot keep up. Latest News See All. Well the main part of the mystery has been solved thanks to some recent and very interesting revelations.

Digital, for the near future, will continue to be limited by the technology of its day. Super35 holds about 3K of information in the real world — not some ideal circumstances lab test fabricated by Kodak — 35mm will top out at about 4K and 65mm will hold about 8K. Previous to this, storing all that massive extra pixel data was considered a waste, especially considering that cheap, powerful storage media itself has only been easy to access for a bit less than a decade. This helps explain studios, which have been working in the digital 4K format for more than 20 years, have hardly anything except for the most recent of movies to show for it.

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Well, they can simply scan those films again and as scanner technology has improved over the years, the result might actually be better than 20 years ago. The chemical film used for almost all older movies, particularly super 35 mm film gave a resolution that went well beyond 4k and all the way into 8k territory, but up until the last few years, the technology to actually display these features has not existed. Given that 4K has been around as a video shooting capability for several years even in digital, the lack of content seems odd.

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This same pattern was repeated with hundreds or possibly thousands of movies since then and is only now being regarded as 40962160 mistake it might have been.

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Only recently, once it became clear that 4K display resolution might really be a serious thing, have studios also begun filming in Ultra HD and actually saving their footage in the same format. Older movies like Godzilla could see a major position in 4K reprocessing. Latest 4k Product Reviews. The original film as digitized to 4K, processed, cleaned up and then downgraded back to a much smaller digital resolution that fit the technology of the time and the original 4K scan was simply erased.

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Also, unlike what Stoshy says above you cannot simply keep scanning old movies on celluloid and catch up with the latest resolution. We would shoot in legitimate xproduce in 4K but then archive in 2K.

Even the best upscaling software on displays destroys the quality, leaving a blocky, pixelated picture. Now that it does, studios can and in some cases already are processing old classics into beautiful digital 4K format. Hopefully they learned from their mistakes when it comes to filming and archival.